Course Standards
Name | Description | |
DA.912.C.1.2: | Apply replication, physical rehearsal, and cognitive rehearsal to aid in the mental and physical retention of patterns, complex steps, and sequences performed by another dancer. | |
DA.912.C.1.3: | Develop and articulate criteria for use in critiquing dance, drawing on background knowledge and personal experience, to show independence in one’s response. | |
DA.912.C.1.4: | Weigh and discuss the personal significance of using both physical and cognitive rehearsal over time to strengthen one’s own retention of patterns, complex steps, and sequences for rehearsal and performance. | |
DA.912.C.2.1: | Analyze movement from varying perspectives and experiment with a variety of creative solutions to solve technical or choreographic challenges. | |
DA.912.C.2.2: | Make informed critical assessments of the quality and effectiveness of one’s own technique and performance quality, based on criteria developed from a variety of sources, to support personal competence and artistic growth. | |
DA.912.C.2.3: | Develop a plan to improve technique, performance quality, and/or compositional work with artistic intent. | |
DA.912.C.2.4: | Evaluate nuances of movement and their relationship to style, choreographic elements, and/or other dancers, and apply this knowledge to alter personal performance. | |
DA.912.C.3.1: | Critique the quality and effectiveness of performances based on exemplary models and self-established criteria. | |
DA.912.C.3.2: | Assess artistic or personal challenges, holistically and in parts, to explore and weigh potential solutions to problems in technique or composition. | |
DA.912.F.1.1: | Study and/or perform exemplary works by choreographers who use new and emerging technology to stimulate the imagination. | |
DA.912.F.1.3: | Employ acquired knowledge to stimulate creative risk-taking and broaden one’s own dance technique, performance, and choreography. | |
DA.912.F.2.2: | Investigate local, regional, state, national, and global resources to support dance-related work and study. | |
DA.912.F.3.2: | Synthesize information and make use of a variety of experiences and resources from outside dance class to inform and inspire one’s work as a dancer. | |
DA.912.F.3.4: | Design a repertory list and/or résumé for application to higher education or the workforce that highlights marketable skills and knowledge gained through dance training. | |
DA.912.F.3.6: | Practice conditioning methods that complement the physical instrument, and determine the degree of personal improvement in established dance techniques. | |
DA.912.F.3.7: | Create and follow a plan to meet deadlines for projects to show initiative and self-direction. | |
DA.912.F.3.8: | Demonstrate effective teamwork and accountability, using compromise, collaboration, and conflict resolution, to set and achieve goals as required in the work environment. | |
DA.912.F.3.10: | Use accurate anatomical terminology to identify planes, regions, bones, muscles, and tissues. | |
DA.912.H.1.1: | Explore and select music from a broad range of cultures to accompany, support, and/or inspire choreography. | |
DA.912.H.1.2: | Study dance works created by artists of diverse backgrounds, and use their work as inspiration for performance or creating new works. | |
DA.912.H.1.3: | Adhere to copyright laws for choreography and music licensing to show respect for the intellectual property of others. | |
DA.912.H.1.4: | Observe, practice, and/or discuss a broad range of historical, cultural, or social dances to broaden a personal perspective of the world. | |
DA.912.H.3.2: | Explain the importance of story or internal logic in dance and identify commonalities with other narrative formats. | |
DA.912.H.3.3: | Explain the importance of proper nutrition, injury prevention, and safe practices to optimal performance and the life-long health of a dancer. | |
DA.912.H.3.4: | Improvise or choreograph and share a dance piece that demonstrates and kinesthetically reinforces understanding of a process studied in another content area. | |
DA.912.H.3.5: | Use, proficiently and accurately, the world language(s) appropriate to the study of a dance genre. | |
DA.912.O.1.2: | Apply standards of class and performance etiquette consistently to attain optimal working conditions. | |
DA.912.O.1.3: | Dissect or assemble a step, pattern, or combination to show understanding of the movement, terminology, and progression. | |
DA.912.O.1.5: | Construct a dance that uses specific choreographic structures to express an idea and show understanding of continuity and framework. | |
DA.912.O.2.1: | Manipulate elements, principles of design, or choreographic devices creatively to make something new, and evaluate the effectiveness of the changes. | |
DA.912.O.3.1: | Perform dance pieces to express feelings, ideas, cultural identity, music, and other abstract concepts through movements, steps, pantomime, and gestures. | |
DA.912.O.3.2: | Use imagery, analogy, and metaphor to improve body alignment and/or enhance the quality of movements, steps, phrases, or dances. | |
DA.912.O.3.3: | Investigate and describe, using accurate dance terminology, the purposes, possible variations, and connections of dance vocabulary. | |
DA.912.O.3.5: | Use accurate dance and theatre terminology to communicate effectively with teachers, directors, dancers, and technical crews. | |
DA.912.S.1.1: | Synthesize a variety of choreographic principles and structures to create a dance. | |
DA.912.S.1.2: | Generate choreographic ideas through improvisation and physical brainstorming. | |
DA.912.S.1.3: | Identify muscular and skeletal structures that facilitate or inhibit rotation, flexion, and/or extension. | |
DA.912.S.1.4: | Create dance studies using dance vocabulary and innovative movement. | |
DA.912.S.2.1: | Sustain focused attention, respect, and discipline during class, rehearsal, and performance. | |
DA.912.S.2.2: | Apply corrections and concepts from previously learned steps to different material to improve processing of new information. | |
DA.912.S.2.3: | Demonstrate ability to manipulate, reverse, and reorganize combinations to increase complexity of sequences. | |
DA.912.S.2.4: | Demonstrate retention of directions, corrections, and memorization of dance from previous rehearsals and classes. | |
DA.912.S.3.1: | Articulate and consistently apply principles of alignment to axial, locomotor, and non-locomotor movement. | |
DA.912.S.3.2: | Develop and maintain flexibility, strength, and stamina for wellness and performance. | |
DA.912.S.3.3: | Initiate movement transitions and change of weight, in and through space, with clear intention and expression appropriate to one or more dance forms. | |
DA.912.S.3.4: | Perform dance vocabulary with musicality and sensitivity. | |
DA.912.S.3.5: | Maintain balance while performing movements that are vertical, off-vertical, or use a reduced base of support. | |
DA.912.S.3.6: | Use resistance, energy, time, and focus to vary expression and intent. | |
DA.912.S.3.7: | Move with agility, alone and relative to others, to perform complex dance sequences. | |
DA.912.S.3.8: | Articulate and apply a stylistically appropriate sense of line to enhance artistry in one or more dance forms. | |
DA.912.S.3.9: | Demonstrate mastery of dance technique to perform technical skills in complex patterns with rhythmic acuity, musicality, and clear intent, purpose, expression, and accuracy. | |
MA.K12.MTR.1.1: | Actively participate in effortful learning both individually and collectively. Mathematicians who participate in effortful learning both individually and with others:
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MA.K12.MTR.2.1: | Demonstrate understanding by representing problems in multiple ways. Mathematicians who demonstrate understanding by representing problems in multiple ways:
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MA.K12.MTR.3.1: | Complete tasks with mathematical fluency. Mathematicians who complete tasks with mathematical fluency:
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MA.K12.MTR.4.1: | Engage in discussions that reflect on the mathematical thinking of self and others. Mathematicians who engage in discussions that reflect on the mathematical thinking of self and others:
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MA.K12.MTR.5.1: | Use patterns and structure to help understand and connect mathematical concepts. Mathematicians who use patterns and structure to help understand and connect mathematical concepts:
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MA.K12.MTR.6.1: | Assess the reasonableness of solutions. Mathematicians who assess the reasonableness of solutions:
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MA.K12.MTR.7.1: | Apply mathematics to real-world contexts. Mathematicians who apply mathematics to real-world contexts:
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ELA.K12.EE.1.1: | Cite evidence to explain and justify reasoning.
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ELA.K12.EE.2.1: | Read and comprehend grade-level complex texts proficiently.
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ELA.K12.EE.3.1: | Make inferences to support comprehension.
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ELA.K12.EE.4.1: | Use appropriate collaborative techniques and active listening skills when engaging in discussions in a variety of situations.
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ELA.K12.EE.5.1: | Use the accepted rules governing a specific format to create quality work.
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ELA.K12.EE.6.1: | Use appropriate voice and tone when speaking or writing.
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PE.912.C.2.2: | Apply terminology and etiquette in dance. | |
PE.912.C.2.3: | Analyze the movement performance of self and others. | |
PE.912.C.2.25: | Analyze and evaluate the risks, safety procedures, rules and equipment associated with specific course activities. | |
PE.912.M.1.7: | Perform advanced dance sequences from a variety of dances accurately. | |
PE.912.M.1.15: | Select and apply sport/activity specific warm-up and cool-down techniques. | |
PE.912.M.1.19: | Use correct body alignment, strength, flexibility and coordination in the performance of technical movements. | |
HE.912.C.1.1 (Archived Standard): | Predict how healthy behaviors can affect health status. | |
HE.912.C.1.4 (Archived Standard): | Propose strategies to reduce or prevent injuries and health problems. | |
TH.912.C.2.7: | Accept feedback from others, analyze it for validity, and apply suggestions appropriately to future performances or designs. | |
TH.912.F.3.7: | Use social networking or other communication technology appropriately to advertise for a production or school event. | |
ELD.K12.ELL.SI.1: | English language learners communicate for social and instructional purposes within the school setting. |
General Course Information and Notes
VERSION DESCRIPTION
Students in this Pre-IB course, designed for dancers who have mastered the basics in two or more dance forms, builds technical and creative skills with a focus on developing the aesthetic quality of movement in the ensemble and as an individual. In addition, the purpose of this Pre-IB course is to prepare students for the International Baccalaureate Diploma Programme (DP). As such, this course will provide academic rigor and relevance through a comprehensive curriculum based on the state academic standards (SAS) and standards taught with reference to the unique facets of the IB. These facets include interrelatedness of subject areas, a holistic view of knowledge, intercultural awareness, embracing international issues, and communication as fundamental to learning. Instructional design must provide students with values and opportunities that enable them to develop respect for others and an appreciation of similarities and differences. Learning how to learn and how to critically evaluate information is as important as the content of the disciplines themselves.
General Notes
Special Note. Pre-IB courses have been created by individual schools or school districts since before the MYP started. These courses mapped backwards the Diploma Programme (DP) to prepare students as early as age 14. The IB was never involved in creating or approving these courses. The IB acknowledges that it is important for students to receive preparation for taking part in the DP, and that preparation is the MYP. The IB designed the MYP to address the whole child, which, as a result, has a very different philosophical approach that aims at educating all students aged 11-16. Pre-IB courses usually deal with content, with less emphasis upon the needs of the whole child or the affective domain than the MYP. A school can have a course that it calls “pre-IB” as long as it makes it clear that the course and any supporting material have been developed independently of the IB. For this reason, the school must name the course along the lines of, for example, the “Any School pre-IB course”.
Honors and Advanced Level Course Note: Advanced courses require a greater demand on students through increased academic rigor. Academic rigor is obtained through the application, analysis, evaluation, and creation of complex ideas that are often abstract and multi-faceted. Students are challenged to think and collaborate critically on the content they are learning. Honors level rigor will be achieved by increasing text complexity through text selection, focus on high-level qualitative measures, and complexity of task. Instruction will be structured to give students a deeper understanding of conceptual themes and organization within and across disciplines. Academic rigor is more than simply assigning to students a greater quantity of work.
Florida’s Benchmarks for Excellent Student Thinking (B.E.S.T.) Standards
This course includes Florida’s B.E.S.T. ELA Expectations (EE) and Mathematical Thinking and Reasoning Standards (MTRs) for students. Florida educators should intentionally embed these standards within the content and their instruction as applicable. For guidance on the implementation of the EEs and MTRs, please visit https://www.cpalms.org/Standards/BEST_Standards.aspx and select the appropriate B.E.S.T. Standards package.
English Language Development ELD Standards Special Notes Section:
Teachers are required to provide listening, speaking, reading and writing instruction that allows English language learners (ELL) to communicate for social and instructional purposes within the school setting. For the given level of English language proficiency and with visual, graphic, or interactive support, students will interact with grade level words, expressions, sentences and discourse to process or produce language necessary for academic success. The ELD standard should specify a relevant content area concept or topic of study chosen by curriculum developers and teachers which maximizes an ELL’s need for communication and social skills. To access an ELL supporting document which delineates performance definitions and descriptors, please click on the following link: https://cpalmsmediaprod.blob.core.windows.net/uploads/docs/standards/eld/si.pdf
General Information
Course Number: 0300650 |
Course Path: Section: Grades PreK to 12 Education Courses > Grade Group: Grades 9 to 12 and Adult Education Courses > Subject: Dance > SubSubject: General > |
Abbreviated Title: FL PRE-IB DANCE | |
Number of Credits: One (1) credit | |
Course Attributes:
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Course Type: Core Academic Course | Course Level: 3 |
Course Status: State Board Approved | |
Grade Level(s): 9,10 | |
Graduation Requirement: Performing/Fine Arts | |
Educator Certifications
Dance (Elementary and Secondary Grades K-12) |
Classical Education - Restricted (Elementary and Secondary Grades K-12) Section 1012.55(5), F.S., authorizes the issuance of a classical education teaching certificate, upon the request of a classical school, to any applicant who fulfills the requirements of s. 1012.56(2)(a)-(f) and (11), F.S., and Rule 6A-4.004, F.A.C. Classical schools must meet the requirements outlined in s. 1012.55(5), F.S., and be listed in the FLDOE Master School ID database, to request a restricted classical education teaching certificate on behalf of an applicant. |
Qualifications
As well as any certification requirements listed on the course description, the following qualifications may also be acceptable for the course:
Any field when certification reflects a bachelor or higher degree.