Course Standards
Name | Description | |
TH.912.C.1.1: | Devise an original work based on a global issue that explores various solutions to a problem. | |
TH.912.C.1.2: | Create, refine, and sustain complex and believable characters for performance through the integration and application of artistic choices based on research, rehearsal, feedback, and refinement. | |
TH.912.C.1.3: | Justify a response to a theatrical experience through oral or written analysis, using correct theatre terminology. | |
TH.912.C.1.5: | Make and defend conscious choices in the creation of a character that will fulfill anticipated audience response. | |
TH.912.C.1.6: | Respond to theatrical works by identifying and interpreting influences of historical, social, or cultural contexts. | |
TH.912.C.1.7: | Justify personal perceptions of a director’s vision and/or playwright’s intent. | |
TH.912.C.1.8: | Apply the components of aesthetics and criticism to a theatrical performance or design. | |
TH.912.C.2.2: | Construct imaginative, complex scripts and revise them in collaboration with actors to convey story and meaning to an audience. | |
TH.912.C.2.4: | Collaborate with a team to outline several potential solutions to a design problem and rank them in order of likely success. | |
TH.912.C.2.5: | Analyze the effect of rehearsal sessions and/or strategies on refining skills and techniques by keeping a performance or rehearsal journal/log. | |
TH.912.C.2.6: | Assess a peer’s artistic choices in a production as a foundation for one’s own artistic growth. | |
TH.912.C.2.7: | Accept feedback from others, analyze it for validity, and apply suggestions appropriately to future performances or designs. | |
TH.912.C.2.8: | Improve a performance or project using various self-assessment tools, coaching, feedback, and/or constructive criticism. | |
TH.912.C.3.1: | Explore commonalities between works of theatre and other performance media. | |
TH.912.C.3.2: | Develop and apply criteria to select works for a portfolio and defend one’s artistic choices with a prepared analysis. | |
TH.912.C.3.3: | Critique, based on exemplary models and established criteria, the production values and effectiveness of school, community, and live or recorded professional productions. | |
TH.912.F.1.1: | Synthesize research, analysis, and imagination to create believable characters and settings. | |
TH.912.F.1.3: | Stimulate imagination, quick thinking, and creative risk-taking through improvisation to create written scenes or plays. | |
TH.912.F.1.4: | Research the cause-and-effect relationship between production needs and new and emerging technologies to support creativity and innovation in theatre. | |
TH.912.F.2.1: | Create and maintain a portfolio for a variety of college or job interviews that can be customized for each opportunity. | |
TH.912.F.2.4: | Apply the skills necessary to be an effective director, designer, stage manager, and/or technician in the mounting of a theatrical performance. | |
TH.912.F.2.5: | Analyze the impact the arts have on local, national, and global economies by researching how businesses use the arts to help them be successful. | |
TH.912.F.3.1: | Analyze and identify the functions of a successful system of business management for a theatre company and compare them to the systems found in a successful business management system. | |
TH.912.F.3.2: | Develop a production budget for a hypothetical performance, using real-world numbers, and determine how much to charge the audience in order to cover costs. | |
TH.912.F.3.3: | Exhibit independence, discipline, and commitment to the theatre process when working on assigned projects and productions. | |
TH.912.F.3.6: | Examine how skills used in putting on a production can be applied in the general work place and design a résumé showing marketable skills for a college or job application. | |
TH.912.F.3.8: | Use current and emerging technology appropriately to communicate rehearsal information with the cast and crew of a production. | |
TH.912.H.1.1: | Analyze how playwrights’ work reflects the cultural and socio-political framework in which it was created. | |
TH.912.H.1.2: | Study, rehearse, and discuss a broad range of theatre works by diverse playwrights to enrich one’s perspective of the world. | |
TH.912.H.1.3: | Present a design or perform in the style of a different historical or cultural context to gain appreciation of that time and culture. | |
TH.912.H.1.4: | Interpret a text through different social, cultural, and historical lenses to consider how perspective and context shape a work and its characters. | |
TH.912.H.1.5: | Respect the rights of performers and audience members to perform or view controversial work with sensitivity to school and community standards. | |
TH.912.H.2.1: | Research the correlations between theatrical forms and the social, cultural, historical, and political climates from which they emerged, to form an understanding of the influences that have shaped theatre. | |
TH.912.H.2.3: | Weigh and discuss, based on analysis of dramatic texts, the importance of cultural protocols and historical accuracy for artistic impact. | |
TH.912.H.2.4: | Research the intent of, and critical reaction to, artists in history who created groundbreaking, innovative, or controversial works. | |
TH.912.H.2.5: | Apply knowledge of dramatic genres and historical periods to shape the work of performers, directors, and designers. | |
TH.912.H.2.7: | Hypothesize how theatre may look in the future and defend that hypothesis, based on historical and social trends, to show understanding of their importance to the development of theatre. | |
TH.912.H.2.9: | Create scenes that satirize current political or social events. | |
TH.912.H.2.10: | Analyze how the history of American musical theatre is tied to events in U.S. history and popular culture, detailing the ways in which theatre evolved. | |
TH.912.H.3.1: | Apply critical-thinking and problem-solving skills used in theatre collaboration to develop creative solutions to real-life issues. | |
TH.912.H.3.2: | Compare the applications of various art forms used in theatre production. | |
TH.912.H.3.3: | Apply knowledge of non-theatre content areas to enhance presentations of characters, environments, and actions in performance. | |
TH.912.H.3.4: | Create a routine of wellness and care for the actor’s physical being as a performance instrument. | |
TH.912.O.1.1: | Research and analyze a dramatic text by breaking it down into its basic, structural elements to support development of a directorial concept, characterization, and design. | |
TH.912.O.1.2: | Compare the conventions of western theatre with eastern theatre practices. | |
TH.912.O.1.3: | Execute the responsibilities of director, designer, manager, technician, or performer by applying standard theatrical conventions. | |
TH.912.O.1.4: | Write an original script or a dramatic adaptation of a literary work to demonstrate knowledge of theatrical conventions. | |
TH.912.O.2.1: | Apply the principles of dramatic structure to the writing of a one-act play. | |
TH.912.O.2.2: | Perform a scene or monologue in a non-traditional way that stays true to its dramatic structure and can be justified within the script. | |
TH.912.O.2.3: | Create a non-traditional scenic or costume design of a classical play that visually connects it to another time period. | |
TH.912.O.2.4: | Construct and perform a pantomime of a complete story, showing a full character arc. | |
TH.912.O.2.5: | Explain how the contributions and methods of significant individuals from various cultures and historical periods have influenced the creative innovations of theatre, and apply one of their innovations to a theatrical piece in a new way. | |
TH.912.O.2.6: | Deconstruct a play, using an established theory, to understand its dramatic structure. | |
TH.912.O.2.7: | Brainstorm a variety of ways to deviate from western rules and conventions in theatre to influence audience and performer experiences. | |
TH.912.O.3.1: | Analyze the methods of communication among directors, designers, stage managers, technicians, and actors that establish the most effective support of the creative process. | |
TH.912.O.3.4: | Create a performance piece to document a significant issue or event. | |
TH.912.O.3.5: | Design technical elements to document the progression of a character, plot, or theme. | |
TH.912.O.3.7: | Apply standard conventions of directing, stage management, and design to denote blocking and stage movement for production documentation. | |
TH.912.S.1.2: | Describe the Stanislavski Method and its impact on realism in theatrical performance in the 20th century. | |
TH.912.S.1.3: | Develop criteria that may be applied to the selection and performance of theatrical work. | |
TH.912.S.1.4: | Compare the artistic content as described by playwrights, actors, designers, and/or directors with the final artistic product and assess the success of the final artistic product using established criteria. | |
TH.912.S.1.5: | Write monologues, scenes, and/or short plays using principles and elements of writing found in dramatic literature. | |
TH.912.S.1.6: | Respond appropriately to directorial choices for improvised and scripted scenes. | |
TH.912.S.1.7: | Interpret dramatic texts, organize and conduct rehearsals, and justify directorial choices for formal and informal productions. | |
TH.912.S.1.8: | Use research to extract clues in dramatic texts to create performances or technical elements, choosing those that are most interesting and that best convey dramatic intent. | |
TH.912.S.2.2: | Apply technical knowledge of safety procedures and demonstrate safe operation of theatre equipment, tools, and raw materials. | |
TH.912.S.2.3: | Demonstrate an understanding of a dramatic work by developing a character analysis for one or more of its major characters and show how the analysis clarifies the character’s physical and emotional dimensions. | |
TH.912.S.2.5: | Perform memorized theatrical literature in contrasting pieces to show ability to apply principles and structure, focus on details of performance, and processing skills to establish successful interpretation, expression, and believability. | |
TH.912.S.2.6: | Transfer acting and technical skills and techniques from one piece of dramatic text to another. | |
TH.912.S.2.7: | Create a prompt book to organize dramaturgy, blocking, and play analysis to demonstrate understanding of the production process and the job responsibilities of a director or stage manager. | |
TH.912.S.2.8: | Strengthen acting skills by engaging in theatre games and improvisations. | |
TH.912.S.3.1: | Articulate, based on research, the rationale for artistic choices in casting, staging, or technical design for a scene from original or scripted material. | |
TH.912.S.3.2: | Exercise artistic discipline and collaboration to achieve ensemble in rehearsal and performance. | |
TH.912.S.3.4: | Apply scientific and technological advances to develop visual and aural design elements that complement the interpretation of the text. | |
TH.912.S.3.7: | Demonstrate the audition process by researching and selecting monologues and presenting a memorized selection. | |
TH.912.S.3.8: | Direct a scene or one-act play. | |
TH.912.S.3.9: | Research, analyze, and explain the processes that playwrights, directors, designers, and performers use when developing a work that conveys artistic intent. | |
MA.K12.MTR.1.1: | Actively participate in effortful learning both individually and collectively. Mathematicians who participate in effortful learning both individually and with others:
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MA.K12.MTR.2.1: | Demonstrate understanding by representing problems in multiple ways. Mathematicians who demonstrate understanding by representing problems in multiple ways:
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MA.K12.MTR.3.1: | Complete tasks with mathematical fluency. Mathematicians who complete tasks with mathematical fluency:
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MA.K12.MTR.4.1: | Engage in discussions that reflect on the mathematical thinking of self and others. Mathematicians who engage in discussions that reflect on the mathematical thinking of self and others:
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MA.K12.MTR.5.1: | Use patterns and structure to help understand and connect mathematical concepts. Mathematicians who use patterns and structure to help understand and connect mathematical concepts:
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MA.K12.MTR.6.1: | Assess the reasonableness of solutions. Mathematicians who assess the reasonableness of solutions:
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MA.K12.MTR.7.1: | Apply mathematics to real-world contexts. Mathematicians who apply mathematics to real-world contexts:
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ELA.K12.EE.1.1: | Cite evidence to explain and justify reasoning.
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ELA.K12.EE.2.1: | Read and comprehend grade-level complex texts proficiently.
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ELA.K12.EE.3.1: | Make inferences to support comprehension.
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ELA.K12.EE.4.1: | Use appropriate collaborative techniques and active listening skills when engaging in discussions in a variety of situations.
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ELA.K12.EE.5.1: | Use the accepted rules governing a specific format to create quality work.
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ELA.K12.EE.6.1: | Use appropriate voice and tone when speaking or writing.
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PE.912.C.2.3: | Analyze the movement performance of self and others. | |
PE.912.M.1.5: | Apply strategies for self improvement based on individual strengths and needs. | |
PE.912.M.1.8: | Design and perform a creative movement sequence while working with a small or large group, with or without equipment/props. | |
ELD.K12.ELL.SI.1: | English language learners communicate for social and instructional purposes within the school setting. | |
MU.912.S.3.4: | Analyze and describe the effect of rehearsal sessions and/or strategies on refinement of skills and techniques. |
General Course Information and Notes
General Notes
The purpose of this course is to provide students an opportunity to gain experience and further their knowledge in theatre fundamentals. The content includes instruction in reading and interpretation of dramatic literature; techniques and mechanics of stagecraft, character analysis and portrayal; interpretive and analytical study of plays; theory and scriptwriting; and production of plays and other dramatic presentations. Students encounter international pieces including Japanese theater, theater of the Absurd, satire, as well as current works. All students are required to view at least one out-of-class production per nine weeks for critical review.
All instruction related o Theatre benchmarks should be framed by the Big Ideas and Enduring Understandings. Non-Theatre benchmarks listed in this course are also required and should be fully integrated in support of arts instruction.
Special Notes: This course requires students to participate in extra rehearsals and performances beyond the school day.
Honors and Advanced Level Course Note: Advanced courses require a greater demand on students through increased academic rigor. Academic rigor is obtained through the application, analysis, evaluation, and creation of complex ideas that are often abstract and multi-faceted. Students are challenged to think and collaborate critically on the content they are learning. Honors level rigor will be achieved by increasing text complexity through text selection, focus on high-level qualitative measures, and complexity of task. Instruction will be structured to give students a deeper understanding of conceptual themes and organization within and across disciplines. Academic rigor is more than simply assigning to students a greater quantity of work.
Florida’s Benchmarks for Excellent Student Thinking (B.E.S.T.) Standards:
This course includes Florida’s B.E.S.T. ELA Expectations (EE) and Mathematical Thinking and Reasoning Standards (MTRs) for students. Florida educators should intentionally embed these standards within the content and their instruction as applicable. For guidance on the implementation of the EEs and MTRs, please visit https://www.cpalms.org/Standards/BEST_Standards.aspx and select the appropriate B.E.S.T. Standards package.
English Language Development (ELD) Standards Special Notes Section:
Teachers are required to provide listening, speaking, reading and writing instruction that allows English language learners (ELL) to communicate for social and instructional purposes within the school setting. For the given level of English language proficiency and with visual, graphic, or interactive support, students will interact with grade level words, expressions, sentences and discourse to process or produce language necessary for academic success. The ELD standard should specify a relevant content area concept or topic of study chosen by curriculum developers and teachers which maximizes an ELL’s need for communication and social skills. To access an ELL supporting document which delineates performance definitions and descriptors, please click on the following link: https://cpalmsmediaprod.blob.core.windows.net/uploads/docs/standards/eld/si.pdf.
General Information
Course Number: 0400805 |
Course Path: Section: Grades PreK to 12 Education Courses > Grade Group: Grades 9 to 12 and Adult Education Courses > Subject: Drama - Theatre Arts > SubSubject: General > |
Abbreviated Title: FL PRE-IB THEATRE 2 | |
Course Attributes:
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Course Level: 3 | |
Course Status: State Board Approved | |
Grade Level(s): 9,10 | |
Graduation Requirement: Performing/Fine Arts | |
Educator Certifications
English (Grades 6-12) |
Drama (Grades 6-12) |
Speech (Grades 6-12) |
Classical Education - Restricted (Elementary and Secondary Grades K-12) Section 1012.55(5), F.S., authorizes the issuance of a classical education teaching certificate, upon the request of a classical school, to any applicant who fulfills the requirements of s. 1012.56(2)(a)-(f) and (11), F.S., and Rule 6A-4.004, F.A.C. Classical schools must meet the requirements outlined in s. 1012.55(5), F.S., and be listed in the FLDOE Master School ID database, to request a restricted classical education teaching certificate on behalf of an applicant. |